![]() Why use a Pro Arte Series C Studio Hog Fan brush?Īvailable in sizes Small (2), Medium (4) and Large (6), the natural hairs of a Pro Arte Series C Studio Hog Fan brush are excellent for smoothing, blending, and feathering. Synthetic hairs give a much softer, less textured effect, so a synthetic fan brush is ideal for producing effects to create clouds and gentler water in artwork. Synthetic brushes are particularly suitable for paint that has been diluted, with either water or solvent, as the hairs remain strong and durable. The stiffness of hog bristles provides good flow and texture, ease of blending, and ensures even application. Each individual bristle has a broad, sturdy base and a tapered tip, which splits into several fine filaments, giving an excellent capacity for holding paint. Hog bristles have long been used in the manufacture of paintbrushes, as they are extremely resilient and flexible. Hog and synthetic brushes have different qualities which should be taken into account, alongside the desired effect the artist wishes to create. Which are best, hog or synthetic brushes? A wide, flat brush is designed for painting large areas, whereas a small, tapered brush is ideal for fine, detailed work.Ī fan brush is easily recognisable by its flattened ferrule and bristles, which are spread in the shape of a fan.Ī fan brush is a versatile speciality brush, used mostly for blending broad areas of colour, smoothing and shading. The size and shape of the bristles determine the effect and style each type of paintbrush can achieve. The handle is the area of the paintbrush the artist holds, and is usually made of wood or acrylic. The ferrule is the metal joining the bristles to the handle, and the crimp is the part of the ferrule where it is secured to the handle. The bristles are the hair on the brush, and may be natural, synthetic or a combination of the two. An artist's paintbrush is comprised of four parts: bristles, ferrule, crimp and handle. And with various lengths of strokes, from very short to very long.The right choice of paintbrush is essential for artists wanting to create the finest results in their artwork.In your painting sketchbook, experiment with: Use the brush in long strokes, swerving from side to side a bit, and you've started to paint wavy hair. If you let the tips of the brush glide over the surface, you get a more delicate result - see the different mark making in the photo bottom left. (Note I'm using a had a cut fan brush, one that's had a hair cut.) The photo top right shows the mark the brush makes when pressed fairly hard onto paper. ![]() ![]() Even more so if you dip both sides of the brush into the paint. The photo top left shows how even a coarse-hair fan brush will easily pick up a lot of fluid paint. It's a useful technique for painting hair, grass, and fur. Painting wet-on-wet with a fan brush, or with a lot of fluid paint on the brush, gives quite a different mark to dry brushing. If the brush is dripping wet, you'll get quite a different effect. It should then be dry enough to continue dry brushing with another color. If you've only one fan brush and want to change colors, wash out the brush and then press a towel or paper towel around it for a minute or so to absorb as much moisture from the hairs as possible. I've painted this on white paper, but imagine it as texture in long grass, a weathered old barn, or windswept hair. ![]() In the photo at bottom right, I've used the paint that was on the brush in the photo on the bottom left. But you'll find a little bit of paint can go further than you might think. It takes a little bit of practice to judge how much paint is on your brush, but if in doubt have less rather than more. Don't worry that this is going to take all the paint off, it won't, and with dry brushing you want very little anyway. See bottom left in the photo, where I'm working on a disposable paper palette. Test how much paint you've on the brush on your palette or a scrap bit of paper. Ideally the paint won't be very fluid, but quite stiff or buttery so it sits at the end of the brush hairs and doesn't seep up. To load a fan brush with paint for dry brushing techniques, take a dry brush and touch the very tips into the paint a few times. Licensed to, Inc.Ī fan brush works well for dry brushing, where you want only a little paint on the brush, to apply roughly and loosely. Top and bottom left: picking up paint from the edge of my paper palette.
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